James-Joyce-Araby---人物及背景分析.doc
《James-Joyce-Araby---人物及背景分析.doc》由会员分享,可在线阅读,更多相关《James-Joyce-Araby---人物及背景分析.doc(112页珍藏版)》请在得力文库 - 分享文档赚钱的网站上搜索。
1、Four short words sum up what has lifted most successful individuals above the crowd: a little bit more.-author-dateJames-Joyce-Araby-人物及背景分析ArabyArabyBackgrounds IntroductionIrelands major religion, Roman Catholicism, dominated Irish culture, as it continues to do today although to a lesser extent.
2、Many families sent their children to schools run by Jesuit priests (like the one the narrator in attends) and convent schools run by nuns (like the one Mangans sister attends). Catholicism is often seen as a source of the frequent conflict in Irish culture between sensuality and asceticism, a confli
3、ct that figures prominently in Joyces autobiographical novel A Portrait of the Artist as a Young Man . In many ways, Catholicism, particularly as practiced at the turn of the century, was an extremely sensuous religion, emphasizing intense personal spiritual experience and surrounding itself with su
4、ch rich trappings as beautiful churches, elegant paintings and statues, otherworldly music, and sumptuous vestments and altar decorations. On the other hand, the Churchs official attitude toward enjoyment of the senses and particularly toward sexuality was severe and restrictive. The ideal woman was
5、 the Virgin Mary, who miraculously combined virginal purity with maternity. Motherhood was exalted, but any enjoyment of sexuality, even in marriage, was considered a sin, as were the practice of birth control and abortion. The inability to reconcile the spiritual and sensual aspects of human nature
6、 can be seen in the boys feelings toward Mangans sister in He imagines his feelings for her as a chalice-a sacred religious object-and so worshipful is his attitude that he hesitates even to speak to her. Yet his memories of her focus almost exclusively on her body-her figure silhouetted by the ligh
7、t, the soft rope of her hair, the white curve of her neck, the border of her petticoat. Even the image of the chalice is ambivalent, since its cup-like shape and function suggests a sexual connotation. The boy never resolves this conflict between spirituality and sensuality. Instead, when confronted
8、 with the tawdriness of a shopgirls flirtation at the bazaar, he abruptly dismisses all his feelings as mere vanity.Introduction of the story and the authorAraby is one of fifteen short stories that together make up James Joyces collection, Dubliners. Although Joyce wrote the stories between 1904 an
9、d 1906, they were not published until 1914.Dubliners paints a portrait of life in Dublin, Ireland, at the turn of the 20th century. Its stories are arranged in an order reflecting the development of a child into a grown man. The first three stories are told from the point of view of a young boy, the
10、 next three from the point of view of an adolescent, and so on. Araby is the last story of the first set, and is told from the perspective of a boy just on the verge of adolescence. The story takes its title from a real festival which came to Dublin in 1894 when Joyce was twelve years old. Joyce is
11、one of the most famous writers of the Modernist period of literature, which runs roughly from 1900 to the end of World War II. Modernist works often include characters who are spiritually lost and themes that reflect a cynicism toward institutions the writer had been taught to respect, such as gover
12、nment and religion. Much of the literature of this period is experimental; Joyces writing reflects this in the use of dashes instead of quotation marks to indicate that a character is speaking. Joyce had a very difficult time getting Dubliners published. It took him over ten years to find a publishe
13、r who was willing to risk publishing the stories because of their unconventional style and themes. Once he found a publisher, he fought very hard with the editors to keep the stories the way he had written them. Years later, these stories are heralded not only for their portrayal of life in Dublin a
14、t the turn of the century, but also as the beginning of the career of one of the most brilliant English-language writers of the twentieth century. PlotAraby opens on North Richmond street in Dublin, where an uninhabited house of two storeys stood at the blind end, detached from its neighbours in a s
15、quare ground. The narrator, who remains unnamed throughout the story, lives with his aunt and uncle. He describes his block, then discusses the former tenant who lived in his house: a priest who recently died in the back room. This priest has a library that attracts the young narrator, and he is par
16、ticularly interested in three titles: a Sir Walter Scott romance, a religious tract, and a police agents memoirs. The narrator talks about being a part of the group of boys who play in the street. He then introduces Mangans sister, a girl who captivates his imagination even though he rarely, if ever
17、, speaks with her. He does stare at her from his window and follow her on the street, however, often thinking of her even in places the most hostile to romance. While in the marketplace on Saturday nights, for example, he uses her image to guide him through the thronging crowd who yell their sales p
18、itches and sing patriotic Irish ballads. He becomes misty-eyed just at the thought of her and retreats to the priests dark room in order to deprive himself of other senses and think only of her. Finally, Mangans sister speaks to him. She asks if he will be attending a church-sponsored fair that is c
19、oming soon to Dublin-a bazaar called Araby. He is tongue-tied and cannot answer, but when she tells him that she cannot go because of a retreat that week in her convent, he promises to go and bring her a gift from the bazaar. From then on he can only think of the time when he will be at the fair; he
20、 is haunted by the syllables of the word Araby. On the night he is supposed to attend the fair, his uncle is late returning home and he must wait to get money from him. He gets very anxious, and his aunt tells him that he may have to miss the bazaar, but his uncle does come home, apologetic that he
21、had forgotten. After asking the boy if he knows a poem entitled The Arabs Farewell to His Steed, the uncle bids the boy farewell. The boy takes a coin from his uncle and catches a train to the fair. Araby is closing down as he arrives and he timidly walks through the center of the bazaar. As he look
22、s at the few stalls that are still open, he overhears a conversation between an English shop-girl and two young men. Their talk is nothing but idle gossip. The shop-girl pauses reluctantly to ask the boy if he wishes to buy anything, but he declines. As he walks slowly out of the hall amid the darke
23、ning of the lights, he thinks that he is a creature driven and derided by vanity and his eyes burned with anguish and anger. CharactersNarrator: The narrator of this story is a young, sensitive boy who confuses a romantic crush and religious enthusiasm. All of the conflict in this story happens insi
24、de his mind. It is unlikely that the object of his crush, Mangans sister, is aware of his feelings for her, nor is anybody else in this boys small world. Because the boys thoughts only reveal a part of the story, a careful reader must put together clues that the author gives. For example, the narrat
- 配套讲稿:
如PPT文件的首页显示word图标,表示该PPT已包含配套word讲稿。双击word图标可打开word文档。
- 特殊限制:
部分文档作品中含有的国旗、国徽等图片,仅作为作品整体效果示例展示,禁止商用。设计者仅对作品中独创性部分享有著作权。
- 关 键 词:
- James Joyce Araby 人物 背景 分析
限制150内