(5.4.1)--5.4-AppreciationandAnalysisofAnc.pdf
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1、Hello,everyone.Im Wang Chao from the Department of Printmaking of China Academyof Art.In this class,I will introduce you to two folk figure prints in the Qing dynasty.Chinese Suzhou prints are mostly small-sized prints,repetitive and simple in coloringduring the reign of Emperor Kangxi.In terms of t
2、he subject,most of them are concerned with familiar folk tales,symbolizing good fortune or conveying moral and ethical values,and have aneducational effect.Being pleasing to the eye,decorative and fun is an important feature of the prints.Most of the prints do not have poems or postscripts inscribed
3、 on them.The overall form,on the one hand,draws on the style of the single page or doublespread of the book prints in the late Ming dynasty,and on the other hand,shows thecharacteristics of folk art.This print is in the Sir Hans Sloane collection in the British Museum.It is a woodblockprint made in
4、Suzhou,China in the early Qing dynasty,circa 1700.The print depicts two people arguing over a gambling game,and a man is mediating.It is a vivid representation of the entertainment life of the townspeople in the early Qingdynasty.This print is made from seven woodblocks of different colors.First,wha
5、t was printed form the main ink woodblock was the line drawing of thepicture,including the top of one figure in the back,and the shoes of the two figures inthe front.The gambling table,the round stool,and the bottom of the fence in the distance wereprinted in pure flower blue,the bamboo fence,and th
6、e border of the standing screenwas printed in grayish rattan yellow.The inner frame of the standing screen,the distant mountains depicted on the landscapescreen,and the costumes of the two figures on the left were all printed in bright rattanyellow.The hat tassels and blushes of the three figures,an
7、d the tops and long gowns of thefigures on the left,are“carmine”red;the stool surface,the table border,the feet of thestanding screen,and the tops of the figures on the right of the picture are darker bluegray;the long gowns of the two figures on the front are lighter blue gray.Finally,a brush is us
8、ed to polish the“blue gray clothes”of the figure on the front left ofthe picture to create a“dynamic”pleating effect,and the same method is adopted topolish the“outline of the top”of the figure on the front left to express the texture of thefur coat.Among them,the fence and the border of the standin
9、g screen are in dark grey with agreenish tendency,which color is produced by mixing rattan yellow with a little ink.The clothes of the figures on the left were first printed in lighter flower blue,and then ared woodblock was overprinted on it,so that another purple color was produced.The stool surfa
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