中国当代水彩画形式语言研究-刘诗雯.docx
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1、UDC: 75 University Code: 10082 Hebei University of Science and Technology Dissertation for the Master Degree The Research on the Formal Language of Chinese Contemporary Watercolor Painting Candidate: Liu Shiwen Supervisor: Prof. Gao Junfeng Associate Supervisor: Academic Degree Applied for: Master o
2、f Arts Specialty: Employer: Date of Oral Examination: Fine Arts College of Art May, 2016 河北科技大学学位论文原创性声明 本人郑重声明:所呈交的学位论文,是本人在导师的指导下,独立进行研究工 作所取得的成果。对本文的研究做出重要贡献的个人和集体,均己在文中以明确方 式标明。除文中己经注明引用的内容外,本论文不包含任何其他个人或集体已经发 表或撰写过的作品或成果。本人完全意识到本声明的法律结果由本人承担。 河北科技大学学位论文版权使用授权书 本学位论文作者完全了解学校有关保留、使用学位论文的规定,同意学校保留
3、 并向国家有关部门或机构送交论文的复印件和电子版,允许论文被查阅和借阅。本 人授权河北科技大学可以将本学位论文的全部或部分内容编入有关数据库进行检 索,可以采用影印、缩印或扫描等复制手段保存和汇编本学位论文。 保密,在 _年解密后适用本授权书。 本学位论文属于 4保密。 (请在以上方框内打 “ V” ) 年(月曰 年 月 曰 年 r月 4 曰 年 c月日 水彩画作为独立画种发展至今,以其淋漓酣畅、透明清新、水色交融的语言形式 区别于其他画种。而中国当代水彩画对形式美学的定义绝非简单意义上的透明、水 味、酣畅、清新等传统的概念和形式,而是一种多元化的艺术语言。当绘画形式语言 能够与时代背景、社会
4、现象以及大众的审美情趣、情感体验相融合时,这种表达形式 才能体现时代精神,反映现实面貌,引起观众共鸣,得到社会认可。 中国水彩画从对西方绘画语言形式的研究、模仿,继而到对民族化语言形式的探 索,其绘画语言体系充分蕴含了东方民族独特的审美内涵。当今,随着社会、经济、 文化面貌日新月异,物质生活基本满足的同时也必然引起公众对意识、精神形态的更 高追求,观念、意识的不断更新继而推动了中国水彩画语言形式走上多元化发展的 必由之路,也促进了水彩画创作队伍的不断壮大和完善,出现了一批具有世界眼光、 中国情怀的民族水彩艺术家。 在对水彩画研习的过程中,我深深的感悟到对水彩画形式语言的深入理解和灵 活运用不是
5、一朝一夕可以完成的,这需要对水彩画事业具有真挚的热爱之情并不懈的 进行艰苦钻研,在长期的实践中感悟水彩画的真谛。只有怀揣坚定的信念,下得苦 功夫,求得真学问,才能感悟水彩画形式语言的魅力所在。 水彩画创作者也应始终铭记 “ 艺无定法 ” 的真理,水彩画的形式语言规律并非教 条的限制、束缚人的灵感和创造力,而是指导我们用辩证的方法来对待 、解决问题, 不能生搬硬套,要灵活变通艺术创作的形式语言,只有这样才能真正在艺术规律的指 引下使中国水彩画创作之路走的更加坚定和长远,怀揣 “ 心中之竹 ” ,准确运用恰当 的形式语言传达出艺术家的创作理念和精神境界,最终进入 “ 天人合一 ” 的最佳境 界!
6、关键词水彩画;形式语言;美学;民族化 Abstract Watercolor painting, which has developed as an independent painting, with its free expression, freshness and transparency, and combination of water and color, is distinctive from other styles of paintings. However, Formalism Aesthetics in Chinese contemporary watercolor p
7、ainting is by no means defined as mere transparency, water taste, fullness, freshness in terms of its traditional concepts and forms, but a diversified artistic language. When the formal language of painting can be combined harmoniously with the current times, social phenomena, the aesthetic taste a
8、nd emotional experience of the general public, this expression form can reflect the spirit of the times and the social reality, and resonate with the audience and get recognized in the society. Through the study and imitation of western painting forms to the exploration of the language form of the C
9、hinese nation, the painting language system of Chinese watercolor contains substantial and unique aesthetic taste of the oriental nation. Today, with the rapid development of the society, economy and culture, the material life is now basically satisfying, which inevitably leads to higher pursuit by
10、the general public for ideology. It not only promotes the diversified development of the language forms of Chinese watercolor painting, but also makes the watercolor creator teams expanded and improved. A number of the national watercolor artists with international visions and Chinese characteristic
11、s have occurred. In the process of study on watercolor painting, I deeply felt that full understanding and flexible application of the formal language of watercolor painting cannot be done overnight, but require a sincere love of watercolor painting, unremitting efforts in study and a full understan
12、ding of the essence of watercolor painting in the artistic practice. Only with the firm faith? hard work and the true knowledge, can I comprehend the charm of the formal language of watercolor painting. The artist of the watercolor painting should always keep the truth ctthe art of the indefinite la
13、w“ in mind. The formal language of the watercolor painting is not limited by the doctrine and wont constrain peoples inspiration and creativity. Conversely, it can guide us to solve the problems with a dialectical method. The artists should not apply it mechanically, but should change the formal lan
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