Black White Photography 201804.pdf
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1、COOL, CREATIVE AND CONTEMPORARYBW_214_COVER_2.indd 2BW_214_COVER_2.indd 226/02/2018 10:3326/02/2018 10:33IFC_BW_214.indd 1IFC_BW_214.indd 12/23/18 12:07 PM2/23/18 12:07 PM01B+WIn the last couple of weeks I have had two emails that have stood out from the many other emails I receive in that they were
2、, quite frankly, unpleasant. The first was a rant against one of our contributors and the other tore apart the winning images in the Black+White Photographer of the Year. Now, I have no objection to either opinion but I am saddened and disappointed that in a time of anonymity that the internet has c
3、reated, people feel they can be as abusive and unkind as they like without any comeback. I ask myself, would these two photographers say such things if they were to meet in person the people they are so rude about? Would they not draw on common courtesy and keep their opinions to themselves or word
4、their thoughts in a more appropriate manner? I hope so. Alternatively, suppose I were to invite them to our offices to show their work, and suppose I was feeling particularly spiteful that day, and gave them an unkind, negative and rude review would they not think me a despicable person? Again, I ho
5、pe so. I deal with photographers and writers every working day and always try to treat them with respect. I m not holding myself up as a paragon of virtue in this I am simply saying that this is a normal way of behaving. As photographers and artists I feel strongly that we should have the generosity
6、 of spirit to view others work with understanding, and if we feel the need to critique it, we should do that with politeness and courtesy. Would we not want to be treated in that way ourselves? And maybe we should have some humility when it comes to our own capabilities. Communication is the most im
7、portant thing in society and when it is done well it achieves great things, but when it is abusive and arrogant, it achieves nothing.COMMUNICATION Anthony BaileyEDITORIAL Editor Elizabeth Roberts email: Deputy Editor Mark Bentley email: Features Editor Anna Bonita Evans email: Designer Toby HaighADV
8、ERTISING Advertising Sales Guy Stockton tel: 01273 402823 email: PUBLISHING Publisher Jonathan GroganMARKETING Marketing Executive Anne Guillot tel: 01273 402 871PRODUCTION Production Manager Jim Bulley Origination and ad design GMC Repro Printer Buxton Press Ltd Distribution Seymour Distribution Lt
9、dSUBSCRIPTIONS Subscriptions Helen Johnston tel: 01273 488005 fax: 01273 402866 email: SUBSCRIPTION RATES (includes postage and packing) 12 issues - Save 10%: 53.89 (UK) 67.37 (Europe) 75.45 (Rest of world)24 issues - Save 20%: 95.81 (UK) 119.76 (Europe) 134.13 (Rest of world)Direct Debit - Save 30%
10、: 20.96 ever 6 issues (UK only) 41.92 every 12 issues (UK only)Cheques should be made payable to GMC Publications Ltd. Current subscribers will automatically receive a renewal notice (excludes direct debit subscribers)POST YOUR ORDER TO The Subscription Department GMC Publications Ltd, 166 High Stre
11、et, Lewes, East Sussex, BN7 1XU, UKTel +44(0) 1273 488005, Fax: +44(0) 1273 402866 or visit Black+White Photography (ISSN 1473-2467) is published every four weeks by GMC Publications LtdBlack+White Photography will consider articles for publication, which should be sent to the editor together with a
12、 stamped self- addressed return envelope. GMC Publications cannot accept liability for the loss or damage of unsolicited material, however caused. Views and comments expressed by individuals in the magazine do not necessarily represent those of the publishers and no legal responsibility can be accep
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14、 GMC Publications Ltd. With regret, promotional offers and competitions, unless otherwise stated, are not available outside the UK and Eire. Guild of Master Craftsman Publications Ltd. 2018BLACK+WHITE PHOTOGRAPHY us on twitter BWPMag bwphotomag As photographers and artists I feel strongly that we sh
15、ould have the generosity of spirit to view others work with understanding. EDITORS LETTER APRIL 2018Elizabeth Roberts, Editor 01_EDS_LETTER_214 ER-MB.indd 101_EDS_LETTER_214 ER-MB.indd 126/02/2018 16:1926/02/2018 16:1902B+W Fazal Sheikh Estate Brassa Succession, ParisBLACK+WHITE PHOTOGRAPHY ISSUE 21
16、4 APRIL 2018 NEXT MONTHS ISSUE IS OUT ON 12 APRILCOVER Picture by William Dore. See page 5.FEATURES 10 A PERSONAL JOURNEY Award-winning photographer Fazal Sheikh documents displaced people26 THE ARTIST A new exhibition celebrates the wonderful work of Brassa34 ARCHIVING OUR TIMES Magnum photographer
17、 David Hurns witty observations of everyday life44 PATHS OF ENLIGHTENMENT Caitriona Dunnett tracks forgotten pathways68 FACE TO FACE Josh K Lustig answers our questionsNEWS 04 NEWSROOM All the latest news06 ON SHOW The must-see photography show20 IN THE FRAME Your guide to photography exhibitions25
18、ON THE SHELF The best of the new photography booksCOMMENT 22 AMERICAN CONNECTION Susan Burnstine talks to Meghann Riepenhoff1026 Caitriona Dunnett Josh K Lustig4468 Meghann Riepenhoff 2202-03_CONTENTS_214 ER-MB.indd 202-03_CONTENTS_214 ER-MB.indd 222/02/2018 12:3222/02/2018 12:3203B+W66 A FORTNIGHT
19、AT F/8 Tim Clinch on the challenges of a new projectTECHNIQUE 52 PHOTOGRAPHING CITIES Brilliant tips and ideas from Lee Frost58 PROJECTS IN VISUAL STYLE Uncovering the power of the humble postcard70 SMART GUIDE TO PHOTOGRAPHY Using filters creatively in smartphone photographyINSPIRATION 48 THINKING
20、PHOTOGRAPHY Alex Schneideman on the enduring appeal of film62 TRY SOMETHING DIFFERENT Eddie Ephraums on stepping out of your comfort zoneTESTS npg.org.uk Victoria and Albert Museum, London06-09_ON_SHOW_214 ER-MB.indd 906-09_ON_SHOW_214 ER-MB.indd 920/02/2018 15:2220/02/2018 15:2210B+W There is somet
21、hing heartening about allowing for the possibility that though a person has passed, there is still some ray of them with us, says Fazal Sheikh, who discovered his deceased grandfather s ray among the Afghan exiles living in northern Pakistan. Donatella Montrone finds out more.A PERSONAL JOURNEYFEATU
22、REAll images Fazal SheikhHumanity has a long history of vilifying those perceived as other . Indeed, marginalised communities have crossed borders fleeing persecution in their homelands since the notion of territories first came into existence. And with each wave of forced displacement of people com
23、es a wave of antipathy from the host community on whom the displaced are forced. The narrative that surrounds each migrant crisis, certainly in modern times, is constructed by media coverage, and the generalisations made about refugees don t represent who they are. Award-winning photographer Fazal S
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